From: Something Something Theatre [mailto:info@somethingsomethingtheatre.com]
Sent: Saturday, April 2, 2016 3:12 PM
Subject: 2016-2017 season
Something Something Theatre presents its 2016-2017 season
Body Awareness by Annie Baker
directed by Joan O'Dwyer
September 29 through October 16, 2016 at the Cabaret
"An engaging…comedy by a young playwright with a probing, understated voice…Its quiet rewards steal up on you." – The New York Times
"Baker's dialogue is tart and personable, with just enough unexpected twists in the characterizations to keep you leaning forward." – The Washington Post
Boston Marriage by David Mamet
directed by Avis Judd
December 1-18, 2016 at Community Theater, 1881 N. Oracle, just north of Speedway
"Devastatingly funny…exceptionally clever…demonstrates anew [Mamet's] technical virtuosity and flexibility." – The New York Times
"[Mamet's characters] are at each other's throats with a wit akin to characters out of Wilde and a vengeance not unlike those from Pinter, Edward Albee, or Mamet himself." - The Boston Globe
What Every Girl Should Know by Monica Byrne
directed by Jasmine Roth
February 9-26, 2017 at Community Theater, 1881 N. Oracle, just north of Speedway
"As tight as it is timely…as pertinent as the latest attack on Sanger's great legacy, Planned Parenthood." – San Francisco Chronicle
"Top to bottom, start to finish, What Every Girl Should Know is an excellent piece of theater…as long as the war over women's reproduction right rages on [this is] a story people need to keep telling." – NYTheatre.com
Dov and Ali by Anna Ziegler
directed by Joan O'Dwyer
April 6- 23, 2017 at Community Theater, 1881 N. Oracle, just north of Speedway
"…a flawless play…In a time of ceaseless snark and cynicism, its earnestness in asking bigger questions can be downright refreshing." - The New York Times
"In an American tradition of plays such as Oleanna...Anna Ziegler's four-hander is an intense, intelligent and hugely promising play that plays out clashes of belief systems in the classroom." – The Guardian (UK)
The Taming of the Shrew by William Shakespeare, adapted by Esther Almazán
directed by Esther Almazán
May 4 through 21, 2017 at the new Fluxx Productions, 690 E. 19th Street 85719
http://www.SomethingSomethingTheatre.com
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From: Tamar Rala Kreiswirth [mailto:tkreiswirth@gmail.com]
Sent: Saturday, April 2, 2016 1:20 PM
Subject: Re: Looking for a few people to film a PSA tomorrow
Public Information Film looking for a few more people to read a slam poem.
I am assisting in shooting a Public Information Film tomorrow, Sunday April 3.
We are hoping to do the filming around 1pm
The location will be in downtown.
The PSA will be performed as a slam poem. There are 12 stanzas. Each person will read one stanza. It will be read in a very fast paced rhythm and requires someone who can speak very clearly, is comfortable in front of the camera, can memorize 4 lines with only an hour rehearsal.
We are looking for a diverse set of people who represent our Tucson community.
The PSA is opposing Prop 123 and will be linked to youtube, facebook and sent out as an email campaign to voters in AZ. It may also be linked to other websites.
Please reply by email to: cnkthedots@gmail.com
Please provide any link you may have to your voice, your photo.
There is no pay...sorry.
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From: Kelly Hardesty [mailto:kjhardesty101@yahoo.com]
Sent: Saturday, April 2, 2016 11:16 AM
Subject: New Play Festival starts Thursday
Old Pueblo Playwrights'
25th Annual New Play Festival:
"Drama Under Construction"
April 7 - 9, 2016
Cabaret Theater
upstairs at Temple of Music & Art
330 S. Scott Ave, downtown Tucson
Come see our works-in-progress:
Staged readings of world-premiere plays
by 5 Tucson playwrights
Thursday, Apr 7th @ 7:30pm – Home Again, Home Again by Vince Flynn
Friday, Apr 8th @ 7:30pm – The Guy with the Boat by Kelly J Hardesty
Saturday Matinee, Apr 9th @ 2:00pm – Two One-Act Plays:
Language Lessons by Reid Gilbert and Heartland by Leslie Powell
Saturday Evening, Apr 9th @ 7:30pm – The Boxcar by Brian Desautels
Audience is invited to participate:
a Post-Performance Talkback after every play
Tickets $7.00
Questions? (520) 481-1783
or email sydvinflynn@yahoo.com
find us on facebook: Old Pueblo Playwrights
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This updated is provided by:
Film Tucson - Visit Tucson
100 S. Church Avenue - Tucson, AZ - 85701 - USA
filmtucson.com
From: pcatalanotte@visittucson.org [mailto:pcatalanotte@visittucson.org]
Sent: Friday, April 1, 2016 4:01 PM
Subject: Film Tucson Update - March 2016
Upcoming Film Events:
04/05/16
Independent Film Arizona - April meeting
Topic: Development and Pre-Production
http://independentfilmarizona.com
7PM at Connect Coworking (33 S. Fifth Avenue)
04/10/2016
Making Your Projects Happen: Successful Film/TV Producing & Financing
The Screening Room (127 E. Congress Street)
tucsonproducing.eventbrite.com
04/14-05/01/2016
25th Arizona International Film Festival
The Screening Room & Other Venues
filmfestivalarizona.com
04/16/2016
Southern Arizona Independent Film Festival
Willcox Historic Theater, Willcox, AZ
willcoxfilmfest.com
04/15-16/2016
Native Eyes Film Showcase
Tucson Chinese Cultural Center, The Loft Cinema
statemuseum.arizona.edu/public/native_eyes/
04/18/2016
Tucson Fashion Week & Film Fest Tucson present Arizona Premiere: "The First Monday in May"
The Loft Cinema (3233 E. Speedway Blvd.)
tucsonfashionweek.com/events/
4/23/2016
Tucson Cine Mexico presents Arizona Premiere: "The Thin Yellow Line" with Director Celso Garcia
Harkins Tucson Spectrum 18 (5455 S Calle Santa Cruz)
tucsoncinemexico.org/
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Thursday, April 14, 2016 - 7:00pm
Join Director of Education Joshua Borths for this exclusive lecture series exploring opera’s most monumental (and controversial) work. These three Thursday night lectures on April 7th, 14th and 21st, walk participants through Wagner’s Ring Cycle. Spend three evenings decoding and demystifying these operas while enjoying appetizers and refreshments. Registration for the entire lecture series is $65.
Talks begin at 7:00pm.
TICKETS BUY LINK:
Buy Tickets [1]
COMMUNITY EVENT:
Yes
LOCATION:
Tucson
HOMEPAGE SLIDER PHOTO:
TICKETS LINK:
Buy Tickets [1]
Source URL: http://www.azopera.org/events/ring-cycle-lecture-part-2
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By Chuck Graham, TucsonStage.com
photo by Ryan Fagan
Steve Wood, top; Carlisle Ellis and Keith Wick, middle; Carrie Hill, Samantha Cormier and Sophia Duclo, bottom, from left, as they appear in "One Slight Hitch" at Live Theatre Workshop.
As real life keeps speeding up and news events become ever more wacky, yesterday's farce is feeling more like today's routine. Another lesson in this progression of art becoming reality is on display in Live Theatre Workshop's vibrantly hectic “One Slight Hitch” by Lewis Black.
While Black himself has enjoyed far more success as a snarky comedian than as a playwright, it's clear in watching LTW's high-speed production – directed by Tucson's own meister of the manic, Stephen Frankenfield – that Black has a soft spot in his heart for this traditional form of noisy theater.
Assembling a strong cast led by polished local veterans Carlisle Ellis and Keith Wick, Frankenfield has got the pros who can turn this script into a sports car comedy that loves to go fast. Set in the early 1980s and choc-a-block with pop culture references, it still stays true to the traditional farce format of slamming doors, mistaken identities and mixed-up motivations.
There is a complete believability in the marriage of Doc (Wick), a physician who has already endured too many years of patients making bad choices, and Delia (Ellis), addicted to the adrenalin of over-reacting to every crisis. Their mercurial chemistry together feels tighter than magnetized pinballs in a world championship competition.
The catalyst for this high anxiety is their bride-to-be daughter Courtney, played to maximum effect by Samantha Cormier who always finds ways to be the counterpoint in every situation with her stressed out parents.
She wants to be the perfect daughter in this upscale Cincinnati family by marrying Harper who is sure to be a four star business success, and dumping Ryan the irresponsible guy who is all spontaneous delight.
Also cast with architectural accuracy are Matt Brown as hopelessly square Harper, who gets all of his ideas from only the most qualitative sources, and Steve Wood as Ryan, the best guy in the world to have a beer with most any time.
Once again Wood steals his every scene, squeezing out the real juice and shining brighter than the others, bringing pure joy to his performance.
Completing the cast in a smaller role is the always interesting Carrie Hill as Melanie, the naughty daughter of Doc and Delia. Hill brings a different breath of fresh air to her scenes.
And precocious teen actress Sophia Duclo makes her LTW debut as the shiny innocent P.B. She gets her laughs making unassuming remarks of great truth, delivered with a sense of timing that feels awesomely natural.
The plot spins around the planning for Courtney's wedding day, a big dollar affair with a million moving parts where every detail must be executed with absolute precision. Of course, nothing is.
The whole thing begins falling apart when Ryan shows up unannounced just before the wedding, expecting to be welcomed with open arms. Only what he gets is just the opposite, from everyone but Courtney. Sometimes it is the old flame that burns with the deepest heat.
"One Slight Hitch" runs through April 30, with performances at 7:30 p.m. Thursdays through Saturdays, 3 p.m. Sundays, at Live Theatre Workshop, 5317 E. Speedway Blvd. Additional Saturday matinee April 30 at 3 p.m.
Tickets are $20 general admission; $18 students, military and seniors 62+. For details and reservations, 520-327-4242, or visit livetheatreworkshop.org
By Chuck Graham, TucsonStage.com
Without much Broadway experience, but packing huge amounts of enthusiasm, the sunny cast of “42nd Street” presented by Broadway in Tucson makes all that tap dancing feel light as a bowl of Rice Krispies in Centennial Hall.
More than 20 pairs of happy feet are forever snapping and popping on 42nd Street with a delightful clarity you don’t always get in many productions of this classic from the Great White Way.
This is the show where impresario Julian Marsh tells chorus girl Peggy Sawyer, “You're going out a youngster, but you've got to come back a star! .”
Mathew J. Taylor has the Julian role this time, filling out his pinstripe suit with a believable arrogance that eventually melts as Peggy (Caitlin Ehlinger) gets her footing in front of that packed house -- and does indeed come back a star.
It has been a story audiences have loved for nearly a century. Ehlinger does nothing to diminish that appeal. In the first four-fifths of this musical, she is the shy show biz rookie and unappreciated kid from Allentown.
Dorothy Brock (Kaitlin Lawrence) is the diva making demands (and has the domineering sugar daddy to back her up). She's not exactly the nemesis of Peggy, but she's not one who will ever step aside or share the spotlight, either.
While it is always the tap dancing I look forward to most, those songs from the 1930s written by Harry Warren an Al Durbin have been equally captivating to many millions of fans.
The Broadway show, which opened in 1980, is adapted from the 1933 movie starring Ruby Keeler as Peggy Sawyer. Some of the songs in the show were written after the film was released, became hits and made their way into the stage version produced by David Merrick nearly 50 years later.
The song list for Broadway includes “We're in the Money,” “Lullaby of Broadway,” “Shuffle Off to Buffalo,” “I Only Have Eyes For You,” "You're Getting To Be A Habit With Me" and of course “42nd Street.”
Nightly performances continue through April 3, with performances at 7:30 p.m. Thursday, 8 p.m. Friday, 2 and 8 p.m. Saturday, 1 and 6:30 p.m. Sunday in
Centennial Hall, 1020 E. University Blvd., on the University of Arizona campus.
Tickets are $29-$100. For details and reservations: www.broadwayintucson.com
From: Cynthia Meier [mailto:cindym@theriver.com]
Sent: Friday, April 1, 2016 2:30 PM
Subject: Auditions for Rogue 2016-17 Season
Auditions for The Rogue Theatre's 2016–2017 Season
The Rogue Theatre will hold auditions for the 2016–2017 Season on Monday, April 25th, 5:00–9:00 pm for the following roles:
Angels in America by Tony Kushner
September 8 - 25, 2016 Rehearsals begin July 26th
Louis - a young Jewish gay man
Belize - an African-American ex-drag queen
Uncle Vanya by Anton Chekhov
November 3 - 20, 2016 Rehearsals begin September 13th
Marina - an older female nurse
The White Snake by Mary Zimmerman
January 12-29, 2017 Rehearsals begin November 13th
Fa Hai - an evil Buddhist monk
Sister and assorted roles - a woman, any age
Acolyte and assorted roles - a young woman
Brother-in-law and assorted roles - a man, any age
Penelope by Enda Walsh
March 2 - 19, 2017 Rehearsals begin January 17th
Burns - a young man
Macbeth by William Shakespeare
April 27 - May 14, 2017 Rehearsals begin March 7th
Malcolm – a young man
Ross – any gender or age
Hecate – any gender or age
Fleance, Young Siward, Captain – a young man
Lennox, Doctor – any gender or age
Lady Macduff, Donalbain – a young woman
Please email Cynthia Meier at director@TheRogueTheatre.org for audition appointment on Monday, April 25th, 5:00–9:00 pm.
All actors who have not previously worked with The Rogue Theatre should bring a headshot and resume and prepare a 2-minute classical monologue.
(Actors who have previously worked at The Rogue are invited to read at callbacks. Callbacks will be held Monday, May 2nd from 5:00–9:00 pm.)
All actors are paid. AEA welcome.
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From: The Gaslight Family [mailto:thegaslighttheatre@qwestoffice.net]
Sent: Friday, April 1, 2016 1:05 PM
Subject: Gaslight Music Hall - 2 for 1 -"My Funny Valentine- Robert Shaw & Crystal Stark
2 FOR 1 TICKETS*
Don't miss
MY FUNNY VALENTINE
The Music
of
Richard Rodgers
starring
ROBERT SHAW
and
CRYSTAL STARK
This Weekend!
Saturday, April 2
3:00pm and 7:00pm
Call (520) 529-1000 and ask for the "Sound of Savings" discount!*
**Some restrictions may apply. Cannot be combined with any other offer. Cannot be applied to previously purchased tickets. Offer good for only the 3:00 and 7:00 performances of "My Funny Valentine" on 4/2/16 and limited to inventory on hand. Offer must be redeemed by phone or in-person only, not available with online ticketing.
Richard Rodgers is recognized as one of the greatest composers of the 20th century, having written more than 900 songs and 40 musicals during his career. Join Crystal Stark and Robert Shaw as they pay tribute to this musical master with an evening of song that includes selections from some of his most beloved hits, including Oklahoma, Carousel and South Pacific. No salute to Rodgers would be complete without soul-stirring favorites like "You'll Never Walk Alone," "Blue Moon," "Bewitched, Bothered and Bewildered," and of course, "My Funny
Valentine."
We're adding new shows to the Music Hall schedule daily, make sure you visit the website and Facebook often.
Please call (520) 529-1000 to purchase tickets Online go to www.gaslightmusichall.com. We look forward to seeing you soon at The Gaslight Music Hall in Oro Valley!
CALL NOW !
520-529-1000
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From: Raul Andres Gonzalez [mailto:gzandy@email.arizona.edu]
Sent: Friday, April 1, 2016 9:12 AM
Subject: Ghosts of Lote Bravo Press Release
MAQUILADORA CULTURE AND CARTEL VIOLENCE EXPLORED IN
THE GHOSTS OF LOTE BRAVO
Borderlands Theater presents the National New Play Network (NNPN) Rolling World Premiere of Hilary Bettis' The Ghosts of Lote Bravo. Set in Ciudad Juarez, amidst the maquiladoras and sicarios (cartel assasins), a mother enlists La Santa Muerte -a dark saint and patron of the rejected - to find her missing daughter. Borderlands Theater founder Barclay Goldsmith directs. The Ghosts of Lote Bravo begins with previews on April 14th, opening gala is April 16th, and the show closes May 1st.
THE PLAY
In Juárez, Mexico, the most violent city in the world, Juanda's daughter goes missing from the sweatshop in which they both work. When the crooked policia refuse to help, Juanda's only hope is to ask the dark saint, La Santa Muerte, to guide her. In this riveting production, Juanda charges through dreams and visions and must risk everything if she ever hopes to see her daughter again.
Bettis first developed The Ghosts of Lote Bravo at Juilliard PlayLab and the 2014 MFA Playwrights' Workshop, hosted each summer by the Kennedy Center American College Theatre Festival and NNPN. It went on to a reading at the 2014 National Showcase of New Plays before securing a grant from the NNPN Collaboration Fund to support the script's translation into Spanish and a workshop in Mexico City in partnership with El Círculo Teatral. Borderlands Theater, in conjuction with NNPN is pleased to be working with American Theatre Wing on several episodes of its Working in the Theatre series, which will document the piece on its Roll across the country.
WE ARE IN THE NATIONAL NEW PLAY NETWORK
In line with Borderlands' mission to develop and produce new plays, The Ghosts of Lote Bravo is part of an NNPN Rolling World Premiere. NNPN is the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays. The Ghosts of Lote Bravo by Hilary Bettis is NNPN's 56th Rolling World Premiere. The play will receive three productions at NNPN Core Members Borderlands Theater (Tucson, AZ, April 14-May 1, 2016), Unicorn Theatre (Kansas City, MO, April 23-May 8, 2016), and Cleveland Public Theatre/Teatro Publico de Cleveland (OH, March 2017).
THEMES IN PLAY STILL RELEVANT TODAY AND SPREADING
We don't hear much talk any longer about Ciudad Juarez and its murderous history against young women, but the violence continues unabated. Worse, femicide, the murder of women for being women, is spreading to Mexico's southern neighbors.Homicide statistics for women in El Salvador, Guatemala, and Honduras are rapidly dwarfing those of Ciudad Juarez. A United Nations Development Program study shows that violence against women in El Salvador has grown 197 percent between 2000 and 2011, with Guatemala and Honduras following closely behind according to a HIP online article.
FEMICIDE: THE HUMAN TOLL OF NAFTA POLICIES
Articles in the media have connected international corporate trade agreements to the wave of femicides along the border. Since the rise of maquiladoras (large scale manufacturing plants) in the 1970's, American trade agreements such as NAFTA have contributed to the exploitation of poor women. Dr. Judith Rosenberg, who is the subject of an article in Women on the Border, reveals that the colonial relationship between the United States and Mexico enables structural exploitation of poor Mexican women in the border region. Ultimately she argues that women's bodies, physically abused by powerful men, symbolically represent the unequal transnational relationship between these two nations.
DRUG VIOLENCE/DRUG TRAFFICKING:
The Mexican government has been fighting a war with drug traffickers since December 2006. More than 60,000 people have been killed from 2006 to 2012 due to drug-related violence, according to Human Rights Watch. During that same six-year period, 26,121 people went missing in Mexico, though authorities don't have data about how many of the disappearances are connected with organized crime. Since December 1, 2012, when Enrique Peña Nieto assumed the presidency of Mexico, intentional homicide numbers have declined slightly, but the number of reported kidnappings continues to climb. There are approximated 6,700 licensed firearms dealers in the United States, along U.S.-Mexico border. There is only one legal firearms retailer in Mexico. Nearly 70% of guns recovered from Mexican criminal activity from 2007 to 2011, and traced by the U.S. government, originated from sales in the United States. Ninety percent of the cocaine that enters the U.S. transits through Mexico. Mexico is also a main supplier of marijuana and methamphetamines in the U.S. Mexico Drug War Facts taken from aCNN article.
LA SANTA MUERTE
A female folk saint venerated primarily in Mexico and the Southwestern United States. A personification of death, she is associated with healing, protection, and safe delivery to the afterlife by her devotees. Despite opposition by the Catholic Church, her cult arose from popular Mexican folk belief, a syncretism between indigenous Mesoamerican and Spanish Catholic beliefs and practices. Since the beginning of the 21st century, worship has become more public, especially in Mexico City after Enriqueta Romero initiated her famous Mexico City shrine in 2001. The number of believers in Santa Muerte has grown over the past ten to twenty years, to several million followers in Mexico, the United States, and parts of Central America. In the media, she is associated with drug cartels because an altar to her is often found at gangsters' homes during raids.
MORE ON THE PLAYWRIGHT:
Hilary Bettis writes plays, TV and movies. Awards, residencies, and commissions include: Blue Ink Playwriting Award Runner-Up, Audrey Residency at New Georges, The Lark's Playwrights Week, Writer-In-Residence at Cape Cod Theater Project, SPACE at Ryder Farm Residency, The Lark/NYSF at Vassar Residency, Alliance/Kendeda Runner-Up, DNA Series at La Jolla Playhouse, NNPN National Showcase of New Plays, Nuestras Voces National Playwriting Competition Runner-Up, Crossing Borders Festival, NNPN/Kennedy Center MFA Workshop, New York Foundation for the Arts Fellowship, O'Neill National Playwrights Conference, 2050 Fellowship at New York Theatre Workshop, Sloan/EST Commission, John N. Wall Fellowship Sewanee Writer's Conference, Blackburn Nomination, PoNY Nomination, Cherry Lane Mentor Project Nomination. She has had multiple plays on The Kilroys List and Honorable Mention List. Productions include: The Ghosts of Lote Bravo (NNPN Rolling World Premiere) at The Unicorn in Kansas City, Borderlands Theater in Tucson and Cleveland Public Theatre in Cleveland. American Girls Off-Broadway at 45th St. Theater, NYC and The Edge Theater in Denver. Publications include Smith & Kraus, McFarland & Company, Original Works (American Girls).
Film screenings include: Dominican Republic Global Film Festival, Mallorca Evolution in Spain, LA Shorts Fest (The Iron Warehouse) and Williamsburg Film Festival, IFS Festival (she won best actress), Nashville Film Festival finalist (B'Hurst).
Hilary sold her first piece of development entitled SPOON to Seeso and is currently writing the pilot. Alyssa Milano is attached to Executive Produce.
She is a member of SAG, AEA, Dramatists Guild, The Drama League, TCG, Playwrights' Center and Fractured Atlas. She is a member of EST, Project Y's writer group, a New Georges Affiliated Artist and NYTW Usual Suspect.
She is a graduate of the Lila Acheson Wallace Playwriting Fellowship at The Juilliard School.
MORE ON THE DIRECTOR:
Barclay Goldsmith is the founder of Borderlands Theater (1986) which developed out of a community based theater collective: Teatro Libertad, a collective active during the 1970s civil rights movement. Before, Goldsmith lived and worked in Mexico and Argentina, where he directed U.S.-Host Country Bi-National Cultural Centers. He has spent the better part of his theater life, in addition to teaching, in developing and producing theater that speaks to the diverse voices of the region. Through the Border Playwrights Program (1988), he has sought to have emerging (and established) playwrights produced here and in theaters around the country. In support of this mission, Goldsmith was a co-founder of the National New Play Network (1998), an organization now consisting of over 90 member theaters that champions new plays and new playwrights. Expanding Borderlands' mission to be truly a theater of PLACE on the border, he established the U.S. Mexico Program, which works extensively with Mexican artists and theater companies in trans-national projects. Barclay was awarded the Lumie Artist Lifetime Achievement award in 2013. He retired from Producing Director of Borderlands Theater in November 2014.
PERFORMANCE SCHEDULE AND TICKET INFORMATION
Temple of Music and Art Cabaret Theater, 330 S. Scott Avenue, Tucson, AZ 85701. Tickets: $6-$26 with various discounts.
4/14 - 7:30 pm Preview (HALF OFF All tickets $6/$13!)
4/15 - 7:30 pm Preview (HALF OFF All tickets $6/$13!)
4/16 - 7:30 pm Opening Night Celebration: Light refreshments, plus meet and greet the actors and director. ($26/$12)
4/17 - 2 pm Matinee ($12/$18/$22.50)
4/20 - 7:30 pm ($12/$18/$22.50)
4/21 - 7:30 pm ($12/$18/$22.50)
4/22 - 7:30 pm ($12/$18/$22.50)
4/23 - 7:30 pm ($12/$18/$22.50)
4/24 - 2 pm Matinee ($12/$18/$22.50)
4/27 - 7:30 pm ($12/$18/$22.50)
4/28 - 7:30pm ($12/$18/$22.50)
4/29 - 7:30pm ($12/$18/$22.50)
4/30 - 7:30pm ($12/$18/$22.50)
5/1 - 2 pm Matinee ($12/$18/$22.50)
FOR MORE INFORMATION AND TO PURCHASE ADVANCE TICKETS:
PLEASE CONTACT BORDERLANDS THEATER BOX OFFICE AT (520) 882-7406.
In person at 4O W. BROADWAY, TUCSON 85701.
ORDER TICKETS ONLINE: www.borderlandstheater.org
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