Sunday, April 25, 2021

BENNETT THEATRELAB Late Spring Term 2021

 

From: philipgbennett@yahoo.com <philipgbennett@yahoo.com>
Sent: Sunday, April 25, 2021 3:19 PM
Subject: Ad - Late Spring Term 2021

 

FIND YOUR AUTHENTIC SELF in the ROLE ©

 

 

Register Now!  Late Spring Term:  May 1 – June 14, 2021

 

Foundational Technique Class: Meets Saturdays 10 – 12:20 and 1-3:30 – 180.00

Based on Stanislavsky System’s Active Analysis through Psychophysical Actions:  Yoga Meditation, Psychophysical Conditioning Exercises: (The Key to Spontaneous Emotions) Voice and Speech, Dramatic Improvisation: Long and Short forms, Audition Coaching; Contemporary & Classical Monologue & Scene Study, and Public Performances.

Advanced Rehearsal/Performance Classes Includes: Mondays 6:30 – 9:30 – 180.00

Active Action Analysis through Psychophysical Actions:  Character Transformation exercises, Theme and psychophysical gesture training, Dual Perspectives Analysis, Neuro-Linguistic based Voice & Speech work, Advanced Movement Exercises, and Participation in One-Act and Full-Length Plays Produced for Public Performances and Presented in Repertory.

Shakespeare Meets Stanislavsky: Sundays 5:30 – 8:30 – 180.00

Based entirely on the Neurolinguistic exercises developed by Royal Shakespeare Company director, Peter Brook and Voice and Speech coach Cicely Berry.  (A series of fun physical exercises that will have you speaking classical language fluently and expressively in a very few classes.  This class also focuses on Classical Greek Drama and Restoration Comedy.  Gives you the cutting edge you need to stand out at auditions!

www.BennettTheatreLab.com - 520-468-1664 - www.TheatreLab.com

YouTube:  Bennett TheatreLab

 

 

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/

 

 

FILM AUDITIONING FOUNDATIONS WORKSHOP - 4-week immersive

 

From: Faith Hibbs-Clark <goodfaithcasting@gmail.com>
Sent: Saturday, April 24, 2021 8:15 PM
Subject: Re: TucsonStage: Auditions for all LTW performing programs are Sunday, May 2, 2021

 

 

FILM AUDITIONING FOUNDATIONS WORKSHOP 

 

This 4-week immersive online workshop will give you an experience like none other. You will work with me, the founder of the Communication Method for Actors and Bella, casting director, and certified CMFA instructor for 2 hours each week over the course of a month for your science-based acting lessons plus powerful homework exercises and personalized feedback making this a game-changing experience. All lessons are recorded so you can review your classwork or make up a session that you might miss for auditions and bookings. Limited to 15 adults. 

 

 

4-weeks, starting Monday, April 26th, 6 pm-8 pm (MST) only 2 spaces left https://www.cmfatraining.com/bookings-checkout/cmfa-film-auditioning-foundations-wksp-7?referral=service_list_widget or 4-weeks starting Saturday, May 1st, 10 am - 12 noon (MST) 4 spaces left https://www.cmfatraining.com/bookings-checkout/cmfa-film-auditioning-foundations-wksp-8?referral=service_list_widget

 

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/

 

 

Saturday, April 24, 2021

TASTY SHAKESPEARE "AS YOU LIKE IT" FILLS THE BILL

By Chuck Graham, TucsonStage.com

photo by Tim Fuller

From left, Jeffrey Baden, Julia Balestracci, Lance Guzman and Evan Werner,

Celebrate the waning days of COVID and the blooming of springtime by taking in the bouncy Rogue Theatre production of Shakespeare's summer romance, “As You Like It.”

Carley Elizabeth Preston is a sly delight as the defiantly cross-dressing Rosalind.

Believing (in Shakespeare's words) that treacherous highwaymen value beauty more than treasure, Rosalind dresses like a man and takes the name of mythological Ganymede, seeking to be as unattractive as possible.

Of course the joke is on Rosalind. Even wearing male garments she still attracts the fancy of strangers; this time it is another young woman – awkward!

Truly charming in timeless Shakespearean fashion is Rosalind's meeting in the Forest of Arden with the improperly disinherited Orlando (Aaron Shand), a natural athlete whose innocence in matters of love finds him searching in vain for his one true heart, Rosalind.

Alas, she has disappeared into this same fanciful forest and can't be found. So clever is Rosalind's disguise as Ganymede, Orlando doesn't realize she is actually his new woodsy buddy Ganymede. Delighted, this Ganymede offers to teach Orlando the best way to woe Rosalind (should he ever find her).

Suffice it to say, Preston and Shand as the star-crossed lovers in “As You Like It” have a natural chemistry worthy of a long-running TV sit-com. She is the clever one, while he's a little dopey, but stalwart and strong of heart.

With a committed cast of 14 players to represent Shakespeare's' full house of oddball characters and 16th century eccentrics, Cynthia Meier directs this production with a balanced and careful precision worthy of a circus ringmaster, keeping the action clear and spunky.

The audience favorite on opening night was deliberately over-the-top court jester Touchstone (Evan Werner) and his enthusiastically amorous Audrey (Julia Balestracci). Their big stage moment doesn't come until near the end, making it a crackling nightcap of hilarity.

Also earning personality kudos is Erin Buckley as Phoebe, the hapless shepherdess who actually falls in love with Ganymede, literally throwing herself at his feet.

Adding strength in important supporting parts are Bryn Booth as Celia, the cousin of Rosalind, and Christopher Johnson as Oliver, the selfish older brother of Orlando.

Shakespeare includes the lyrics for several songs in “As You Like It.” Providing music direction and composing several pastoral airs to fit the lyrics in the spirit of those times is Rogue favorite Russell Ronnebaum. He also arranged parts for harp (played by Michelle Gott), cello (played by Robert Marshall) and flute (played by Zach Warren) that feel completely authentic.

The music is pre-recorded, as is all the dialogue. The Rogue's innovative concept of pre-recording each of their productions, then having the actors wear masks and full costumes to “act out” their parts, is proving itself brilliant throughout the season.

When the playwright happens to be Shakespeare, the unusual technique actually adds another positive dimension to the centuries-old sentence structure of the Bard's work. Each recorded voice comes out crystal clear, evenly paced and more easily understood by modern ears.

Now all the parts, whether major roles or off-beat sidelights, are given equal emphasis. None are lost or overshadowed.

This makes for a fuller play-going experience – as all the nuances of court intrigue faced by Orlando and Oliver, as well as those homeless Robin Hood sort of folk who live in the Forest of Arden, get equal attention.

“All the world's a stage,” declares Jacques (Joseph McGrath), and in the Rogue's production all the players can be heard loud and clear.

“As You Like It” runs 2:25, with intermission, through May 16 with 7:30 p.m. performances Thursdays-Saturdays, plus 2 p.m. matinees Saturdays-Sundays at the Rogue Theatre, 300 E. University Blvd. Tickets are $42, students $15.

 

The Rogue Theatre is following all COVID precautions, offering in-theater and online ticketing. All tickets must be purchased in advance. Visit theroguetheatre.org or phone 520-551-2053.

 

Friday, April 23, 2021

2021-22 Auditions for The Rogue Theatre

 

From: Director <director@theroguetheatre.org>
Sent: Friday, April 23, 2021 3:13 PM
Subject: 2021-22 Auditions for The Rogue Theatre

 

 

AUDITION ANNOUCEMENT

 

The Rogue Theatre has several roles available in each of our shows in the 2021-22 season of plays. If you would like to be considered for any of the plays of the season (please see list below), please email us your résumé and a photo along with a short video of you performing a classical monologue by MAY 3, 2021. A classical monologue by Shakespeare or some other language-driven piece that shows your facility with complex language would be appreciated.

 

Please send your email to StageManager@TheRogueTheatre.org.

 

If you have worked with The Rogue previously and would like to be considered for any of the plays of the season, please let us know by MAY 3, 2021. We will consider you for any of the plays you indicate and will let you know by May 10th if we need anything else from you. Callbacks will be held on Saturday, May 15th.

 

The Awakening by Kate Chopin, adapted and directed by Christopher Johnson - September 9-26, 2021, rehearsals begin July 27

 

Twelfth Night by William Shakespeare, directed by Cynthia Meier – November 4 - 21, 2021, rehearsals begin September 28

 

Death of a Salesman by Arthur Miller, directed by Matt Bowdren  - January 6 - 23, 2022, rehearsals begin November 23

           

Passage by Christopher Chen, directed by Christopher Johnson  - February 24 – March 13, 2022, rehearsals begin January 25

 

Mrs Dalloway by Virginia Woolf, adapted and directed by Cynthia Meier - April 28 - May 15, 2022, rehearsals begin March 15

           

 

Please send a videotaped classical monologue

along with your résumé and photo to

Shannon Wallace, Stage Manager at StageManager@TheRogueTheatre.org

 

Actors of color are encouraged to audition.

All actors are paid.

We are looking to have a fully-vaccinated company of actors for the season.

 

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/

 

 

Ballet Tucson: Last chance to attend our Spring Pop Up Performances!

 

From: Ballet Tucson <operations@ballettucson.org>
Sent: Friday, April 23, 2021 1:49 PM
Subject: Tomorrow is your last chance to watch! ⏰

 

Our Spring Pop Up Performances conclude tomorrow! 🌷  ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

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Last chance to attend our Spring Pop Up Performances!

 

 

 

 

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Dear friend,

 

We have loved reconnecting with you in-person through the return of our celebrated Spring Pop Up Performances throughout April. It is our great pleasure to bring the beauty of live dance back into your life! 

 

Our final free to the public performances take place at Rillito Regional Park Farmers Market Pavilions and Main Circle:

 

Saturday April 24th at 5:30pm & 6:30pm

More information can be found at: https://ballettucson.org/performances-and-tickets/

 

You will be treated to five new choreographic works by Associate Artistic Director Chieko Imada and Ballet Master Daniel Precup that feature a diverse array of dance styles and moods.Delight in Chieko Imada's Shall we Dance? (a comical relationship duet) and Trio (a contemporary jazz piece). Daniel Precup unveils three new works: Reverberation (a dynamic ensemble piece), a beautiful solo for prima ballerina Jenna Johnson, and Rhapsody (a romantic pas de deux performed by Jenna Johnson and Daniel Precup).

 

Don't miss your last chance to experience live dance this spring!

 

NOTE: We recommend bringing lawn chairs for seating. This event is free to the public, but social distancing and mask usage is required per Pima County Parks policy. No unleashed pets or alcoholic beverages are permitted. For more park information, visit: https://webcms.pima.gov/cms/one.aspx?pageId=1455

 

 

 

 

 

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Calling all dance students! Experience exceptional in-person dance training at our 36th Annual Summer Dance Workshop. Our two May 2nd placement classes are limited to 10 dancers per group.

 

Contact us today to reserve your spot: Call 520-623-3373 or email balletartstucson@aol.com

 

Please contact the Workshop Administrator, June Mullin at 520-623-3373 with questions or visit: https://balletartstucson.com/summer-workshop/

 

 

 

 

 

 

Youtube video

 

 

 

 

 

 

 

 

Our very own Casey Johnson (a.k.a. The Dancing Gardener) is back with the third installment of his springtime gardening series. We hope you enjoy!:

 

"Spring is in full swing here in Tucson! Start planning on summer heat now. Make sure to add mulch, shade or protection for newly planted trees, and continue or begin a feeding regime. Foliar feeding is a great option here. Fish and kelp emulsion applied as a foliar spray will do wonders for building a plant's heat tolerance. Compost and manure applied as a topdressing now will help to sustain the plants through our long growing season. Newly planted trees should have their trunks protected from sun scald until they are mature enough to shade their own trunks. Tree paint applied as a whitewash is a great protective measure. Make sure to keep vigilant with watering as the days climb into the 90s. Happy Gardening!!" -The Dancing Gardener

 

Video created by Casey Johnson, The Dancing Gardener 🌼

 

 

 

 

 

 

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Experience outstanding in-person training from our Ballet Tucson artistic staff and these four Special Guest Teachers June 1st- June 26th:

 

Liang Fu (Kansas City Ballet)

Margaret Mullin (Former Soloist, Pacific Northwest Ballet)

Matthew Renko (Former Soloist, Pacific Northwest Ballet, Suzanne Farrell Ballet, New York City Ballet)

Danielle Bausinger (Kansas City Ballet)

 

Class size is currently limited to 10 dancers per level, so be sure to reserve your spot today before space runs out! More information is available at: https://balletartstucson.com/summer-workshop/

 

 

About our Special Guest Teachers:

 

Liang Fu was born in Qingdao, China. He was trained at Beijing Dance Academy. Upon graduating in 2001, he danced with Singapore Dance Theatre, Universal Ballet Company and Cincinnati Ballet before joining Kansas City Ballet in 2014. Mr. Fu won the 1st prize at the 10th Asian Pacific International Ballet Competition in Tokyo, Japan in 2005. He has danced in many leading roles in classical ballets such as Swan Lake, The Sleeping Beauty, Giselle, and The Nutcracker. He has also enjoyed dancing contemporary works by Jiří Kylián, Twyla Tharp, William Forsythe, Ohad Naharin, Val Caniparoli, Edwaard Liang and Helen Pickett.

 

Margaret Mullin is from Tucson, Arizona and trained at Ballet Arts, the official school of Ballet Tucson. She is currently Artistic Associate and Media Director for Ballet Tucson, in addition to continuing her work as a freelance artist. Margaret was formerly a Soloist dancer with Pacific Northwest Ballet in Seattle, where she danced for thirteen seasons. There she performed leading roles in works by William Forsythe, Justin Peck, Jiří Kylián, George Balanchine, Jerome Robbins, Crystal Pite and more. In 2011 she was the recipient of a prestigious Dance Fellowship Award from the Princess Grace Foundation USA, for her talent as a dancer and her potential to impact the field. She was also the recipient of a 2018 CityArtist Award from the City of Seattle Office of Arts and Culture. Ms. Mullin appeared as a guest speaker at the Dance/USA national conference in June 2017. Margaret has choreographed works for Pacific Northwest Ballet, Kansas City Ballet, Pacific Northwest Ballet School and Ballet Tucson. She has served as a stager of the choreographic works of Ian Horvath and Price Suddarth. She has been featured by Dance Magazine, Pointe Magazine, Dance Informa, Seattle Magazine, EmpowHer New York, We are Minding the Gap, Seattle morning show New Day Northwest, Dance Lifestyle, Balancing Pointe podcast and Discount Dance Supply as a representative.

 

Matthew Renko was born in Tampa, Florida and raised in Sumter, South Carolina, where he began dancing at the age of 8. As a teenager he trained at North Carolina School of the Arts and then The School of American Ballet in New York City. He began his professional career in 2007, joining the New York City Ballet as an apprentice and then joining the corps de ballet in 2008. He went on to join the Suzanne Farrell Ballet in 2010, where he was promoted to soloist in 2013. Simultaneously he was a member of the Pacific Northwest Ballet, joining in 2011. He has performed a wide range of featured roles in a variety of repertoire including George Balanchine's The Nutcracker, La Source, Le Baiser de la Fée and Rubies, Jerome Robbins' Watermill and Fancy Free and Molissa Fenley's State of Darkness. Matthew's choreographic credits include participating in SAB's Student Choreography Workshop, The New York Choreographic Institute, and PNB's Next Step program. He is currently an instructor at Ballet Chicago.

 

Danielle Bausinger is from Ridgewood, New Jersey and started dancing at the age of 3. Her family then moved to California where she trained at San Francisco Ballet School. Ms. Bausinger joined Cincinnati Ballet in 2006 and performed roles such as Myrtha in Giselle and 3rd Movement Principal in Balanchine's Symphony in C within her eight seasons with the company. Since joining Kansas City Ballet in 2014, she has danced many featured roles, including Sanguinic in George Balanchine's The Four Temperaments and The Sugar Plum Fairy in Devon Carney's The Nutcracker. She has also performed leading roles in many contemporary works, including Jiri Kylian's Petite Mort and Twyla Tharp's In the Upper Room. She had the opportunity to perform at The Kennedy Center for the Performing Arts in November 2017. 

 

 

 

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/

 

 

Unscrewed Theater, Your Weekend Funny

 

 

From: Unscrewed Theater <UnscrewedTheater@gmail.com>
Sent: Thursday, April 22, 2021 10:01 AM
Subject: Weekend plans?

 

 

 

 

Shake off the stress of the workweek and laugh along with us at one (or all!) of our online shows this weekend. We've got worldwide improv on our Facebook page via Ten Minutes With Dawn. We've got a family-friendly show early Saturday night AND a late night UNCENSORED show. We've even got another episode of our open mic night - Sunday SmashUp.

If a laugh is what you need - you can find it this weekend (and every weekend!) at Unscrewed Theater!

 

 

Your Weekend Funny

Live. Laugh. Laugh Hysterically.

 

 

 

Get Your Improv On
Friday 4/23

10:00am (MST/PDT)

🎶 Ten Minutes With Dawn 🎶

Dawn's guest this week is  Athira Vidyadhar!

Athira describes herself as "a beginner improviser still learning the ropes."

She's here with Dawn this week practicing her skills as an improviser and is ready to show how improv is something that EVERYONE can have fun with.

Dawn & Athira will perform a quick ten minute scene - and then hang out to chat about improv...and whatever else they feel like discussing. Join them for some fun, lightness - and some connection with other people out there in the world.

It's all online, and only on the Unscrewed Theater Facebook page!


 

 

 

Saturday, 4/24

7:30pm (MST/PDT)
Family-Friendly Improv Comedy

We had so much fun last week with Free Range Comedy that a few of them decided they wanted to come back!

Tonight's special guest is a former Unscrewed Theater performer, and a current Free Range Comedy performer - it's Vicki McGee!

Vicki McGee has been doing comedy improv for decades! She cut her baby teeth at the L.A. Connection, has performed at the Comedy Store, and wound up in Arizona performing with Unscrewed Theater before landing on Maui and hatching Free Range Comedy. She and her husband, Bill Hubbard, relocated to Ventura County, CA where they opened Free Range Comedy SoCal where Vicki serves as Artistic Director, Lead Educator, and Chief Whip-cracker!

Vicki is back on our stage to play with Chris, Jon, Cy, Allana, Rosanne - & your host, Rob Sparks!

Come and laugh along with us from wherever you are, and end your Saturday night with a smile!

 

 

 

Register Here!

 

 

 

 

 

Saturday, 4/24

9:30pm (MST/PDT)
UNCENSORED Improv Comedy

We weren't kidding when we said we had fun with Free Range Comedy last week.

Our special guest for our uncensored show is familiar face: it's Amy Nash!

Amy joins us from her home in Santa Barbara, CA where she regularly performs with Free Range Comedy. She is a longtime performer, improv teacher, and workshop facilitator. and has performed and trained at comedy theaters around the country. Amy currently teaches beginner and advanced-level classes at Santa Barbara Improv. She leads applied improv trainings for entrepreneurs, teens, therapists, parent support groups, and staff of local businesses and nonprofits.

Amy joins Jessica, Allana, Rosanne, Jon - & your host, Cy Barlow for a night of unscripted, unrehearsed and uncensored improv - all FREE and only at Unscrewed Theater!

 

 

 

Register Here!

 

 

 

 

 

Sunday, 4/25

6:00pm (MST/PDT)
Open Mic Improv Night

Note: Even though the time is early, this show may contain adult language and scenes.

It's the last Sunday of the month - that means it's time for the Sunday SmashUp!

Once a month, we host an open mic night for improv teams around the world. Each team performs a short scene - and then we mix 'em all up!

This month's teams include:
~ Almost Reddy
~ Parks & Wreck
~ T.B.N.
~ Where Y'at?
~ Wild Hip Bootz

In the SmashUp scene, improvisers perform a scene with a partner from ANY of our performers, chosen at random. They'll get to test their skills and make up a scene with someone totally new - all live!

Register below to get the Zoom link to watch and laugh right along with us!

 

 

 

Register Here!

 

 

 

 

 

Online Training Center

Liz Allen Workshops Selling Out Fast!


 

 

 


Starting April 30

Back by Popular Demand!
Liz Allen Workshops
Fridays, 6-9pm (MST/PDT)

Liz Allen brings a lifetime of improv experience to our Unscrewed Theater workshops. She has performed, coached, directed and written about improv for over 28 years.  All the while, winning award after award and teaching hundreds of workshops.

She has performed and coached across the country – at iO Chicago, Neo-Futurarium, The Second City at the Flamingo Hotel & Casino in Las Vegas, and The Improv Shop in St. Louis.  Liz was honored to coach The Commune, the improv ensemble in Mike Birbiglia's 2016 feature film Don't Think Twice.

For three years running, she won the Del Close Coach of the Year Award, now called the Liz Allen Excellence in Teaching Award.  She also co-wrote the book Improvising Better with Jimmy Carrane in 2006.

And you can tap into her expertise from ANYWHERE starting Friday, April 30.

BUT there's limited space available, and spots are selling out fast!

Read more about the course options, and register to join us below! Liz will teach you how REALLY use your characters, how to lean in to long form, and the art of the second beat. All skills that are perfect for anyone who's looking to hone their skills - while having a lot of fun!

 

 

 

Register for all three workshops!

 

 


The Guts of Form

Friday, April 30. 6-9pm MST

What is a long-form, really, and why do we do it? Liz will share her opinions about this. Understanding the guts of form helps improvisers feel confident knowing when and how to initiate transitions, pattern-fulfillments, edits, callbacks, and new ideas, while inside a form. Understanding the guts of form avoids common freak-outs, such as "we're failing up here, oh, god, what should I do?" which often leads to forced misguided moves that grind the form to a halt.

This workshop covers Liz's views and tips towards understanding how to navigate long-forms so that each experience is a fulfilling expression of group voice.

 

 

 

Register Here

 

 


The State of Second Beats

Friday, May 7. 6-9pm MST

It's time for second beats, and there are endless options. Now what? Liz will share her opinion about this. Second beats are the unsung workhorses of long-form. They are a platform for patterns, solidifying tone, and expanding characters. But usually, they 'just happen' and are under-utilized. Frequently, they're boring linear repeats of the first beats, mired in plot, or tangents that bear no resemblance to the first beats. But, when second beats focus on character and non-plot aspects of the first beats, then a fulfilling long-form is underway.

In this workshop, Liz shares her techniques on how to approach second beats and their influence on form.

 

 

 

Register Here

 

 


Cavalcade of Characters

Friday, May 14. 6-9pm MST

You've created these characters, now what do you do with them? Liz will share her opinions about this. Improvisers often get bogged down in characters as long-forms progress. Some characters are over-used, and some are forgotten, and this can be frustrating. Most forms don't pause for players to get their bearings, so the cavalcade of characters has to be captured and maximized while staying in the moment. This is a challenging aspect of improvising.

In this workshop, Liz offers tools for keeping track of, managing, and connecting characters inside a long-form.

 

 

 

Register Here

 

 

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/

 

 

Thursday, April 22, 2021

Red Herring Puppets presents AESOP'S FABLES

 

From: Lisa Sturz <lisa@redherringpuppets.com>
Sent: Thursday, April 22, 2021 4:50 PM
Subject: FOR IMMEDIATE RELEASE: AESOP'S FABLES

 

TWO DAYS TILL SHOW TIME!

 

Red Herring Puppets presents AESOP'S FABLES

Saturday, April 24 & May 1 at 2:00 pm & 4:00 pm.

     at the Red Herring Puppet Studio: Tucson Mall

(upper level between Macy's & Forever 21)

Tickets: $8.00 per person

Reservations are required:  https://www.redherringpuppets.com

 

Red Herring Puppets perform their rhymed version of the classic tales with original music and large tabletop puppets. These timeless stories address bullying, selfishness, competition, ingenuity, and the affirmation that little beings can achieve great things.Each performance includes The Lion and the Mouse, The Tortoise and the Hare, The Owl and the Grasshopper, The Fox and the Crow, The Crow and the Pitcher, and The Stork and the Fox.

This production has earned an UNIMA citation of Excellence – the highest honor in American puppetry.

 Red Herring Puppets is an award winning professional puppet company. Lisa Sturz, owner and artistic director has worked with Jim Henson Productions, Walt Disney Imagineering, Lucasfilm, PBS, the Lyric Opera of Chicago and many more.

 In compliance with pandemic precautions, seating is limited, masks are required and groups are seated 6 feet apart.

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TucsonStage home: www.TucsonStage.com

Recent announcments: http://tucsonstage.blogspot.com/