From: Beth Dell [mailto:theatre@beowulfalley.org]
Sent: Wednesday, September 22, 2010 2:46 AM
Subject: Press Releases (5) for Beowulf Alley Theatre
Beowulf Alley’s Old Time Radio Theatre Company
November, 2010 Events
(Tucson, AZ) Beowulf Alley Theatre’s Old Time Radio Theatre Company announces their November stories to be presented at the theatre, 11 South 6th Avenue (Downtown between Broadway and Congress) on November 2 and 16, 2010. Performances are at 7:00 p.m. Admission is $8 for ages 13 to adult and $5 for the first two children ages 6-12, cash at the door, first come-first serve seating. The box office phone number is (520) 882-0555.
November 2:
To honor Halloween and Dia de los Meurtos, we offer two suspenseful dramas:
QUIET, PLEASE: Don’t Tell Me About Halloween (Oct. 27, 1947) tells the story of a man married to a witch. He has to see her once a year: Halloween. Each year he dreads the day, because he knows she'll find out about what he's been doing the rest of the year. When he's unfaithful, she uses her powers to punish him and his lovers. One of the benefits he receives is immortality. Yet, is it worth it, even when he only has to spend one day a year with her?
QUIET, PLEASE aired from June 8th of 1947 through June 20th of 1949. It is considered by many to be among the most uniquely creative series in history. The series sought to chill the listener through a completely immersed personal experience. The titles and introductory sequences of each series indicated the desired immersion -- the listener was expected to shut off distracting outside stimuli, such as light and sound, in order to fully concentrate on the unfolding story.
ESCAPE: The Fall of the House of Usher was first performed on October 22, 1947. The famous opening of the show, often worded to suit the events of the moment or season, warns the intrepid radio listener of adventure that is anything but... everyday. Like its sister show on the radio, SUSPENCE, it is considered one of the top shows ever performed on radio. ESCAPE takes you on a ride into a world where danger comes in many forms, and you are on the edge of life and death, perhaps being pushed! When ESCAPE says “romantic,” we're not talking kissing. Perhaps those kisses might be from teeming piranha! ESCAPE is more Devil's Island than Fantasy Island. And it is wonderful adventure radio for the whole family, especially Dad. Edgar Allan Poe's The Fall of the House of Usher revolves around this realm of fear, and reveals the importance of facing and overcoming our fears. “Tired of the everyday grind? Ever dream of a life of … romantic adventure? Want to get away from it all? We offer you … ESCAPE!”
November 16:
Join us for two rousing radio pieces - the November 29, 1947 story THE LIFE OF RILEY: Thanksgiving With the Gillises and one of radio’s great mystery series, SUSPENCE and the episode, On a Country Road, first presented November 16, 1950.
In this episode, THE LIFE OF RILEY: Thanksgiving With the Gillises (Nov. 29, 1947), Chester invites the Boss to Thanksgiving dinner, and then is forced into inviting the Gillises as well. “What a revoltin’ development this turns out to be!” THE LIFE OF RILEY radio program, starring William Bendix, initially aired on the Blue Network, later known as ABC, from January 16, 1944 to June 8, 1945. Then it moved to NBC, where it was broadcast from September 8, 1945, 1945 to June 29, 1951. The supporting cast featured John Brown, who portrayed not only undertaker Digger O'Dell but also Riley's co-worker Jim Gillis. Whereas Gillis gave Riley bad information that got him into trouble, Digger gave him good information that "helped him out of a hole," as he might have put it. Brown's lines as the undertaker were often repetitive, including puns based on his profession ("Cheerio, I'd better be... shoveling off"; "Business is a little dead tonight"); but, thanks to Brown's delivery, the audience loved him.
SUSPENCE, the radio series, can be summed up in one episode, On a Country Road. It was a mixture of urban legend and cautionary tale like no other. In this episode, the audience is pulled into a dangerous situation and then is kept trapped, while the suspense mounts and the characters become increasingly hysterical. It was the kind of nightmare "that could happen to anyone." On a Country Road (Nov. 16, 1950) is regarded as one of the classic tales of SUSPENCE because it embodies all of the things at which the radio program excelled. So now, ignore the traffic, the rain, the nearly empty gas tank, as well as those news bulletins about the escaped crazy woman on the loose, and come take a drive down a lonely side road.
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