Diane Schwartz was not one to throw herself into the arms of a man she barely knew. But after a marathon audition session for a community theatre production of Noël Coward’s Private Lives, Diane couldn’t help herself. She had endured reading after reading for the part of Sybil, holding her own opposite a blur of Elyots, Amandas, and Victors. But in the end, when Diane was the last Sybil standing, and the director cheerfully informed her that she was in, she lost it at last. With a whoop of triumph, the normally reserved petite mother of two went airborne.
Read the entire article here: When Actors Fly
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