From: Something Something Theatre <info@somethingsomethingtheatre.com>
Sent: Saturday, May 6, 2017 12:12 PM
Subject: Season tickets for 2017-18 on sale now!
Something Something Theatre
2017-18 SEASON
Buy your season pass now!
SCARBOROUGH
by Fiona Evans
directed by Whitney Woodcock
September 1 - 17, 2017 at the Cabaret Theatre
A student and teacher on a romantic weekend:
if they get caught, everything is on the line.
"...captivating questions of responsibility, power and sexuality...This little miracle of balance deserves a serious future life."
- VARIETY
THE FATHER
by Florian Zeller
(translated by Christopher Hampton)
directed by Joan O'Dwyer
November 2 - 19, 2017 at the Community Playhouse
In which we see an aging man lapse into dementia
...from his point of view.
"...hugely rewarding...a play that constantly confounds expectations and works almost like a thriller, with a sinister Pinteresque edge..."
- THE GUARDIAN
A DELICATE SHIP
by Anna Ziegler
directed by Joan O'Dwyer
January 4 - 21, 2018 at the Community Playhouse
Young lovers are about to trim their holiday tree
when there's a knock on the door.
"Ms. Ziegler's quietly lyrical language has a luminous beauty, and her talent for creating characters whose complicated depths are just visible on their surfaces is still more remarkable."
- THE NEW YORK TIMES
THE HOW AND THE WHY
by Sarah Treem
directed by Jasmine Roth
February 23 - March 11, 2018 at the Cabaret Theatre
"Sarah Treem's play brims with ideas and emotional colors that eddy and refract like rivulets in a lively, plunging stream."
- THE WASHINGTON POST
"Two absorbing hours with two finely formed, interesting, smart and captivating women...a very rare acheivement indeed for women in and out of the theatre."
- THE FEMINIST SPECTATOR
HOW THE WORLD BEGAN
by Catherine Trieschmann
directed by Avis Judd
May 3 - 20, 2018 at the Community Playhouse
Religion and science clash in a disaster-stricken small town.
"Rare and refreshing intelligence."
- THE NEW YORKER
"Trieschmann's writing is taut and laced with irony...language [bristling] with Christian allusion."
- THE TIMES
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