Tucson: Audition - ELEVATOR STAGE PLAY

 

From: ElevatorStagePlay [mailto:info@elevatorstageplay.com]
Sent: Thursday, August 11, 2011 8:03 AM
Subject: Casting (under fives)

 

CASTING CALL - ELEVATOR STAGE PLAY

A 9/11 Tenth Anniversary Event Performed at the Proscenium Theater,

Pima Community College Center for the Arts, West Campus

 

Produced by Elevator Stage Play International

 

Visit: www.elevatorstageplay.com

 

…a character study of six lives trapped in a WTC elevator during 9/11

 

THE PLAY IS IN NEED OF VARIOUS MEN, 30 to 50 YEARS OF AGE, WHO WILL HAVE 1 to 5 LINES AT THE BEGINNING OF THE PLAY.

These characters are essential for setting the mood for the entire play

Casting Call:           August 14th, 2011

Time:                     Sunday : 10 am

Location:                Red Barn Theater (GO to Back Building) 948 North Main

                             (1 block south of Speedway, just off I-10)

Performance:         Proscenium Theater, Pima Community College Center for the Arts, West Campus

Dates:                    September 1^st, 2^nd, 3^rd, 4^th, 2011

Comp:                    Credit and Tickets

Rehearsal:              Multi-Weekly, Non-paid, Drinks & Snacks Supplied

 

DAY OF CASTING ONLY PHONE NUMBER (Please don’t call otherwise, only email):  520-477-PLAY (7529)

 

SEEKING only performers dedicated, committed and responsible and can perform to a crowd of up to 400.     

 

OPEN CALL:  The producers of Elevator are having an open call for this play. 

Visit www.elevatorstageplay.com for more details.  Email us at info@elevatorstageplay.com and tell us if you'll be there.  Scene scripts will be available at audition.

 

Email – info@elevatorstageproject.com

DO NOT EMAIL HEADSHOT & RESUME: BRING WITH YOU TO AUDITION      

                                                                                                                                

BASED ON THE MOTION PICTURE, “ELEVATOR.”

 

 

PLAY SUMMARY:                          

 

“Elevator” is a character study of six lives trapped in a World Trade Center elevator on the day of 9/11.  It is driven by the facts of the elevator system and what happened to the system on that day.  The play begins a few minutes before the first plane hits the first tower, and runs in real time for the one-hundred and two minutes until the tower collapses.  This play explores layers of humanity in times of crisis as the play moves forward--the victim’s situation continually disintegrating--until finally the improbable understanding that their very existence is in jeopardy.

 

This play, ultimately, examines the best and worse of our humanity.

 

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